Traffic Retreat: Günther Hauschildt, Painter

To this group of works belong objects made by man, parked and long forgotten, mostly trams, but also car wrecks. The effect of time has wounded them and given way to being overgrown by grass, weeds and undergrowth. Thus, the main focus lies on the problem of transience, the process of life and death, of being and not-being. We find the objects in a stadium of barely existing and not existing any more.

The process of ageing is represented not in a melancholy veiled way, but rather cheerfully and serene. These rusty, bumped, exhausted resting things are on the way back to nature. However, this process is in Hauschildt‘s pictures not so much shown as a natural, but as an aesthetic process. Rusting sheet metal is blooming in light. Rot, decay and mould are weaved in purple aubergine coloured tones, in burned umber and sulphur yellow and shades of brown variety.

Driving into the Green (2)

Driving into the Green (2)

2005, 30 x 24 cm

Driving into the Green (1)

Driving into the Green (1)

2004, 30 x 24 cm

Massive-House

Massive-House

1998, 60 x 50 cm

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Short Train

Short Train

1995, 50 x 60 cm

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Forgotten Trams

Forgotten Trams

1993, 50 x 40 cm

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Railway in the Wood

Railway in the Wood

1991, 80 x 60 cm

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Vegetarian Tram-Saloon

Vegetarian Tram-Saloon

1991, 40 x 50 cm

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Fragment of a Tree-Beetle

Fragment of a Tree-Beetle

1992, 50 x 40 cm

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Tram of Hamburg

Tram of Hamburg

1993, 70 x 50 cm

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Traffic Standstill

Traffic Standstill

1993, 80 x 100 cm

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Isolated Stairs

Isolated Stairs

1989, 70 x 60 cm

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Dormant Traffic

Dormant Traffic

1992, 60 x 80 cm

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German meeting 1990

German meeting 1990

1992, 100 x 80 cm

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Train-Officer's House

Train-Officer's House

1988, 70 x 60 cm

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